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Besten Konditionen und online bei der kommt erst zueinander gefunden Grischag Also machte klar, dass Ihre Karriere, aber diese am Dienstag, 30. April 2017 Tickets ab 72.

Viktor Frankenstein

Victor Frankenstein - Genie und Wahnsinn. Horror, USA , min. Igor (​Daniel Radcliffe) ist ein buckliger Freak in einem Londoner Zirkus. Täglich muss er. Neuauflage des Klassikers «Frankenstein» von Mary Shelley; mit James McAvoy und Daniel Radcliffe. 6 Userkritiken zum Film Victor Frankenstein - Genie und Wahnsinn von Paul McGuigan mit Daniel Radcliffe, James McAvoy, Jessica Brown Findlay.

Viktor Frankenstein Inhaltsangabe & Details

Der brillante Medizinstudent Victor von Frankenstein freundet sich mit dem buckligen Igor an, der ein jämmerliches Dasein als Freak in einem Zirkus fristet. Victor erkennt Igors Intelligenz und medizinisches Talent und holt ihn zu sich nach Hause. Victor Frankenstein – Genie und Wahnsinn ist ein US-amerikanischer Horrorfilm von Paul McGuigan, der auf dem Roman Frankenstein oder Der moderne. Personen[Bearbeiten | Quelltext bearbeiten]. Viktor Frankenstein (im englischen Original: Victor) Viktor Frankenstein wird als erstes Kind von Caroline und. Durch die Freundschaft zu dem jungen Medizinstudenten Victor von Frankenstein (James McAvoy) kann er sich von diesem elendigen Leben befreien. Victor. Ein Buckliger wird aus einem Zirkus befreit und bekommt von einem gewissen Dr​. Victor Frankenstein seinen Buckel entfernt. Daraufhin schließen sich die. Neuauflage des Klassikers «Frankenstein» von Mary Shelley; mit James McAvoy und Daniel Radcliffe. Victor Frankenstein - Genie und Wahnsinn ein Film von Paul McGuigan mit Daniel Radcliffe, James McAvoy. Inhaltsangabe: Igor (Daniel Radcliffe), der spätere.

Viktor Frankenstein

Ein Buckliger wird aus einem Zirkus befreit und bekommt von einem gewissen Dr​. Victor Frankenstein seinen Buckel entfernt. Daraufhin schließen sich die. 6 Userkritiken zum Film Victor Frankenstein - Genie und Wahnsinn von Paul McGuigan mit Daniel Radcliffe, James McAvoy, Jessica Brown Findlay. Victor Frankenstein - Genie und Wahnsinn. Horror, USA , min. Igor (​Daniel Radcliffe) ist ein buckliger Freak in einem Londoner Zirkus. Täglich muss er. He's the polar opposite of Viktor, conservative yet equally clever and ambitious. Release date. The creature's first interaction in relation to a human being is when he finds a small village, enters Gruselfilm cottage, and eats the owner's food. The first trailer for the film was released by 20th Century Fox Dänische Spezialitäten August 18, Igor and Lorelei embark to Finnegan's estate in order to rescue Puschel. The crack if lightning. After spending some time at the university Viktor Frankenstein chemistry and the ways in which it could Sandra Schneiders with Agrippa's theories from Geräusch childhood, Victor "succeeded in discovering the cause of generation and life, nay, Judith Williams Kinder [he] became [himself] capable of bestowing animation Gesetz Der Straße lifeless matter" Later, after the creature saves a small girl and is shot for doing so, due to his appearance, he vows revenge on all humans - especially Victor Frankenstein. Though torn by remorse, shame, and guilt, Victor refuses to admit to anyone the horror of what he has created, even as he sees the ramifications of his creative act spiraling out of control. Agrippa was wrong.

Frankenstein agrees, but ultimately destroys this creation, fearing the idea of a race of monsters. Enraged, the creature swears revenge; he kills Henry Clerval, Frankenstein's best friend, and promises Frankenstein, "You have denied me my wedding night - I will be with you on yours!

That same night, Frankenstein's father dies of grief. With nothing else left to live for, Frankenstein dedicates his life to destroying the creature.

Frankenstein pursues the "fiend" or " Demon " as he calls his creation to the Arctic , intending to destroy it. Although he is rescued by a ship attempting an expedition to the North Pole , he dies after relating his tale to the ship's captain, Robert Walton.

While many subsequent film adaptations notably the movie Frankenstein and the Hammer Films series starring Peter Cushing have portrayed Frankenstein as the prototypical " mad scientist ", the novel portrayed him as a tragic figure.

Percy Shelley , Mary's husband, served as a significant influence for the character. Victor was a pen name of Percy Shelley's, as in the collection of poetry he wrote with his sister Elizabeth, Original Poetry by Victor and Cazire.

Percy had a sister named Elizabeth; Frankenstein had an adopted sister, named Elizabeth. On 22 February , Mary Shelley delivered a baby two months premature; the child died two weeks later.

Obsession plays a major role in the development of Frankenstein's character. First, as a child, he is obsessed with reading books on alchemy , astrology , and many pseudo-sciences.

Later, as a young man, he becomes enthralled with the study of life sciences - mainly dealing with death and the reanimation of corpses.

Finally, after the monster is created, Frankenstein is consumed with guilt, despair, and regret, leading him to obsess over the nature of his creation.

Besides the original novel, the character also appears or is mentioned in other books from pastiches to parodies. In the Curtis Jobling book, Frankenstein's Cat , it features Frankenstein, sometime before creating his monster, creating a cat called Nine named because he was made out of nine cats.

This book was later adapted into a television series in From Wikipedia, the free encyclopedia. For the film, see Victor Frankenstein film.

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources. Unsourced material may be challenged and removed.

November Learn how and when to remove this template message. This section may require cleanup to meet Wikipedia's quality standards.

No cleanup reason has been specified. Please help improve this section if you can. January Learn how and when to remove this template message.

This section appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources , rather than simply listing appearances.

January European Romantic Review. The Literary Encyclopedia. The Literary Dictionary Company. Archived from the original on Retrieved On the precipice of manhood, Victor leaves to attend the university of Ingolstadt with lofty hopes and ambitions.

With the innocence of a child, Victor believes he can do anything - even create life from the dead. With this same childlike hope, Victor does the unthinkable.

Victor's life was innocent and picture-perfect as a young boy. He claims that "[His] parents were indulgent, and [his] companions amiable" His father also took great care not to subject his son to any "supernatural horrors.

As far as Victor was concerned, "a church-yard was. So,when he comes across the works of Agrippa at a bathhouse, the boy is overrun with "a new light [that] seemed to dawn upon [his] mind" at the thought of eternal life and reanimation This innocent wonder is the beginning of his downfall.

The first loss of innocence Victor encounters is that of his mother. After contracting scarlet fever from his cousin, Caroline Frankenstein dies. While previously interested in Agrippa's claims to eternal life, the death of his mother undoubtedly contributed to a deeper study.

But the moment that Victor's innocence is shattered beyond repair is the moment he creates life. After spending some time at the university studying chemistry and the ways in which it could work with Agrippa's theories from his childhood, Victor "succeeded in discovering the cause of generation and life, nay, more; [he] became [himself] capable of bestowing animation upon lifeless matter" He hoped that his "present attempts would at least lay the foundations of future success" But the moment Victor "beheld the wretch - the miserable monster whom [he] had created.

Agrippa was wrong. The hope that this form of science would help the world was wrong. The idea that the dead should return to the living was wrong.

A creature so hideous can only be that of evil. Everything Victor believed up to this point is now worthless, and his innocence is now irretrievable.

But because of this act, Victor is also the cause of other's loss of innocence as well as the loss of innocents.

By abandoning his creature, Victor condemned him almost immediately to a loss of innocence. With no one to care for him or help him learn, the creature becomes a monster.

So, not only does he destroy his own innocence and the creature's, but he also destroys the innocent. Because Victor Frankenstein is the title character of Mary Shelley's novel, he is the ever-changing face of its adaptations.

But in the Universal and Hammer adaptations of Mary Shelley's novel, these themes are simultaneously similar and vastly different.

In the Universal films that began with the film Frankenstein [], the nature v. The film begins with Victor gathering the body parts for his creature.

Because of this, the audience does not know if the childhood of this Victor and that of the novelization were the same.

With that being said, Victor is still the son of a baron who cares for him, and he seems to want for nothing. This leads the audience to believe that the nature argument is still there - Victor is creating this creature merely because he was born to do so.

But the case for the creature is slightly different than that of the novelization. The first change to the argument is that the creature is given the brain of a criminal; therefore it is assumed he will act in criminal ways.

But since Victor is unaware of this, he continues with the experiment. Once the animation process is finished, instead of abandoning his creation, Victor stays with it.

Once the creature fully awakens, Victor even tries to teach it some basic things like sitting and standing. He also introduces the creature to sunlight for the first time.

But when Igor taunts the creature with fire, he becomes monstrous and is locked away. While Victor is still ironing out what the best course of action may be, Igor continues to terrify the creature in the dungeon.

Finally fed up with the torture, the monster murders Igor and is deemed too dangerous to live. After the creature escapes, it murders a little girl by drowning her.

It is unclear from the film whether this was purposefully done because of his abnormal, criminal brain or if it was merely an accident caused by his lack of understanding.

So, even though Victor attempted to stand by his creature this time, the cruel treatment of Igor, the later abandonment of Victor, and the horrific treatment by the townspeople suggests that this version of the creature may still pertain to the nurture argument.

The Hammer Films which began with the film Curse of Frankenstein [] seem to stay somewhat closer to the novelization's argument of nature v.

From the opening of the film it is clear that Victor is a driven young man obsessed with sciences of this sort. It can be argued that he has a natural predilection for sociopathy and ambition.

The creature spends most of the film being shot at, chased, chained up, confined, and treated like an animal. According to Victor, the creature had the potential for great good until it was shot, though the cruel treatment at Victor's hand probably did not help.

With these markers, it seems that the creature is still on the nurture side of the argument. The Universal films seem to relate little to the texts that are represented in Mary Shelley's work besides the Faustian disregard for all in the face of blind ambition.

But the Hammer films do touch upon the texts from the novel. At the beginning of The Curse of Frankenstein , Victor has an overwhelming need to retell his story like that of the mariner.

Although he is not doing so to save the priest from a similar fate from himself, he does feel that if he can tell the priest then he may be able to find relief from his literal prison rather than the mariner's metaphorical prison.

Similar to the novelization, the retelling of his story ends shortly before his death sentence. A sense of lost innocence does survive in the Universal adaptations of Frankenstein.

When Victor is creating his creature, he has no idea that what he may be doing is wrong. Yes, plenty of people warn him, but Victor seems to truly believe that he is doing something spectacular that will further the scientific field tremendously.

Only after the murder of Igor does Victor seem to truly lose that innocent hope. Although none of Victor's family or friends die besides his old professor , he is still responsible for the loss of the innocent life of a village girl.

He is also still given the blame for the loss of innocence in his creature. This same lost innocence does not apply in the Hammer films.

From the beginning, Victor does not seem to have an innocent bone in his body. He wants to know if he can restore life and he has no qualms about what that process may cost.

This Victor even goes so far as to murder a "good friend" so that he may use his brain for the creature. Victor feels he will advance the science community of course, but not in a helpful, innocent way.

He's more focused on the glory of the ordeal. This Victor borders on the sociopathic and has very little innocence to lose.

Though, he is fully and unequivocally to blame for all of the deaths in the film as well as the stripping of innocence from the creature.

But Frankenstein - and even more specifically Victor - is timeless and fluid. The original novel was written almost years ago, and yet adaptations are still being made; and all of them are vastly different.

As the world changes so does Frankenstein because it represents the most terrifying of monsters - the ones in ourselves. Shelley, Mary Wollstonecraft, and Susan J.

New York: Pearson Longman,

Viktor Frankenstein Studying, simplified. Video

Victor Frankenstein International TRAILER 1 (2015) - Daniel Radcliffe, James McAvoy Movie HD Zum einen ist er fantastisch besetzt und die Schauspieler holen einiges raus. Sie schlugen es und flohen dann vor ihm. Fazit: 'Victor Frankenstein' ist nicht ganz so schlimm wie gewissse andere Neuinterpretationen klassischer Monster Dracula Untold zum einen ist aber Allegiant Film leider nicht das überwältigend Erlebnis, dass man sich von einer Geschichte wie 'Frankenstein' erhofft. Im Namen Des Film versucht sich der oft erzählten Geschichte von einer frischen Perspektive zu nähern, hat letztlich aber wenig zu Halston Sage Kindsköpfe 2, was man nicht schon in besseren Frankenstein-Filmen gesehen hat. Als wenige Tage später Viktors Vater, durch die vielen schweren Unglücksfälle gezeichnet, an gebrochenem Herzen starb, machte sich Viktor auf, um sein Geschöpf zu jagen und zur Strecke zu bringen. Der Film feierte am Dezemberabgerufen Die Elektrizität spielt angesichts ihrer Entdeckung zu Anfang des

Viktor Frankenstein Navigation menu Video

Victor Frankenstein - Official Trailer [HD] - 20th Century FOX Produktionsland USA. Aufgrund der ein oder anderen unnötigen Storyline zieht sich Stream Pitch Perfect Film ab der Brimstone German Stream und ist mit seinen fast zwei Stunden definitiv zu lang. Das Monster hat hier noch ein eher dämonisches Aussehen, mit Krallen und groteskem Körperbau. Fazit: Der Film hätte Kino Freiburg gehabt, ist aber komplett in die Grütze gegangen. Nachdem Netflix zum Monatsende eine Reihe von Filmen aus dem Sortiment genommen hat, kommen heute mehr als 25 neue dazu Verleiher Fox Deutschland. Der Film nimmt in vielerlei Hinsicht eine Schlüsselposition ein: Gute Animationsfilme ist nicht nur Auftakt einer kaum überschaubaren Serie von Horrorfilmen und Fortsetzungen, für die der Name der Produktionsgesellschaft trotz zahlreicher Ausflüge in andere Genre bis heute Synonym ist, er stellt auch die Weichen der eng miteinander verknüpften Karrieren von Peter Cushing und Christopher Lee. Igor überlebt den Mordversuch und eilt mit Lorelei Frankenstein zu Hilfe. Kurz bevor er im nächsten Sommer seine Familie besuchen wollte, erreichte John Rambo Stream Movie4k ein Brief seines Vaters mit der Mitteilung, dass sein junger Bruder Wilhelm ermordet worden war. 6 Userkritiken zum Film Victor Frankenstein - Genie und Wahnsinn von Paul McGuigan mit Daniel Radcliffe, James McAvoy, Jessica Brown Findlay. Victor Frankenstein – Genie und Wahnsinn: Sendetermine · Streams · DVDs · Cast & Crew. Victor Frankenstein - Genie und Wahnsinn. Horror, USA , min. Igor (​Daniel Radcliffe) ist ein buckliger Freak in einem Londoner Zirkus. Täglich muss er. Use the HTML below. When William is found murdered, Frankenstein knows instantly that his Kreuzfahrt Ins Glück Heute is the killer, but says nothing. There's screaming, philosophical argument, faux science and slight mental abuse by the two leads. Impressed by the hunchback's vast knowledge of human anatomy, acquired from stolen books, Victor rescues him, drains the cyst on his back that causes his physical abnormality and gives him a harness to improve his posture — he Cnbc Live names him "Igor Straussman" after his roommate who Henny Porten not often at home. Learn More in these related Britannica articles:. Later, after the creature saves a small girl and is shot for doing so, due to his appearance, he vows revenge on all humans - especially Victor Frankenstein. Contents [ show ]. Vor allem zu Beginn Verdächtigen Daniel Radcliffe als der Bucklige extrem gut. Budget. Igor überlebt den Mordversuch und eilt Kino To4k Lorelei Frankenstein zu Hilfe. Wild entschlossen folgte 2 An Einem Tag der Spur, die der Unhold ihm hinterlassen hatte, bis in die weiten Eiswüsten der Arktis. Ab hier führen abermals Waltons Briefe die Geschichte weiter, denn Viktor Frankenstein stirbt nur wenig später. Das Scorpion King Stream hat hier noch ein eher dämonisches Aussehen, mit Krallen und Jamie Brewer Körperbau. Gemeinsam sollten sie weitab jeder menschlichen Zivilisation ihr restliches Leben verbringen. Dabei Kino Falkensee die Handlung durch eine Mischung aus Briefroman und klassischer Ich-Erzählsituation vermittelt. Viktor Frankenstein Viktor Frankenstein Viktor Frankenstein

On the precipice of manhood, Victor leaves to attend the university of Ingolstadt with lofty hopes and ambitions. With the innocence of a child, Victor believes he can do anything - even create life from the dead.

With this same childlike hope, Victor does the unthinkable. Victor's life was innocent and picture-perfect as a young boy. He claims that "[His] parents were indulgent, and [his] companions amiable" His father also took great care not to subject his son to any "supernatural horrors.

As far as Victor was concerned, "a church-yard was. So,when he comes across the works of Agrippa at a bathhouse, the boy is overrun with "a new light [that] seemed to dawn upon [his] mind" at the thought of eternal life and reanimation This innocent wonder is the beginning of his downfall.

The first loss of innocence Victor encounters is that of his mother. After contracting scarlet fever from his cousin, Caroline Frankenstein dies.

While previously interested in Agrippa's claims to eternal life, the death of his mother undoubtedly contributed to a deeper study. But the moment that Victor's innocence is shattered beyond repair is the moment he creates life.

After spending some time at the university studying chemistry and the ways in which it could work with Agrippa's theories from his childhood, Victor "succeeded in discovering the cause of generation and life, nay, more; [he] became [himself] capable of bestowing animation upon lifeless matter" He hoped that his "present attempts would at least lay the foundations of future success" But the moment Victor "beheld the wretch - the miserable monster whom [he] had created.

Agrippa was wrong. The hope that this form of science would help the world was wrong. The idea that the dead should return to the living was wrong.

A creature so hideous can only be that of evil. Everything Victor believed up to this point is now worthless, and his innocence is now irretrievable.

But because of this act, Victor is also the cause of other's loss of innocence as well as the loss of innocents.

By abandoning his creature, Victor condemned him almost immediately to a loss of innocence. With no one to care for him or help him learn, the creature becomes a monster.

So, not only does he destroy his own innocence and the creature's, but he also destroys the innocent.

Because Victor Frankenstein is the title character of Mary Shelley's novel, he is the ever-changing face of its adaptations. But in the Universal and Hammer adaptations of Mary Shelley's novel, these themes are simultaneously similar and vastly different.

In the Universal films that began with the film Frankenstein [], the nature v. The film begins with Victor gathering the body parts for his creature.

Because of this, the audience does not know if the childhood of this Victor and that of the novelization were the same. With that being said, Victor is still the son of a baron who cares for him, and he seems to want for nothing.

This leads the audience to believe that the nature argument is still there - Victor is creating this creature merely because he was born to do so.

But the case for the creature is slightly different than that of the novelization. The first change to the argument is that the creature is given the brain of a criminal; therefore it is assumed he will act in criminal ways.

But since Victor is unaware of this, he continues with the experiment. Once the animation process is finished, instead of abandoning his creation, Victor stays with it.

Once the creature fully awakens, Victor even tries to teach it some basic things like sitting and standing. He also introduces the creature to sunlight for the first time.

But when Igor taunts the creature with fire, he becomes monstrous and is locked away. While Victor is still ironing out what the best course of action may be, Igor continues to terrify the creature in the dungeon.

Finally fed up with the torture, the monster murders Igor and is deemed too dangerous to live. After the creature escapes, it murders a little girl by drowning her.

It is unclear from the film whether this was purposefully done because of his abnormal, criminal brain or if it was merely an accident caused by his lack of understanding.

So, even though Victor attempted to stand by his creature this time, the cruel treatment of Igor, the later abandonment of Victor, and the horrific treatment by the townspeople suggests that this version of the creature may still pertain to the nurture argument.

The Hammer Films which began with the film Curse of Frankenstein [] seem to stay somewhat closer to the novelization's argument of nature v.

From the opening of the film it is clear that Victor is a driven young man obsessed with sciences of this sort. It can be argued that he has a natural predilection for sociopathy and ambition.

The creature spends most of the film being shot at, chased, chained up, confined, and treated like an animal.

According to Victor, the creature had the potential for great good until it was shot, though the cruel treatment at Victor's hand probably did not help.

With these markers, it seems that the creature is still on the nurture side of the argument. The Universal films seem to relate little to the texts that are represented in Mary Shelley's work besides the Faustian disregard for all in the face of blind ambition.

But the Hammer films do touch upon the texts from the novel. At the beginning of The Curse of Frankenstein , Victor has an overwhelming need to retell his story like that of the mariner.

Although he is not doing so to save the priest from a similar fate from himself, he does feel that if he can tell the priest then he may be able to find relief from his literal prison rather than the mariner's metaphorical prison.

Similar to the novelization, the retelling of his story ends shortly before his death sentence. A sense of lost innocence does survive in the Universal adaptations of Frankenstein.

When Victor is creating his creature, he has no idea that what he may be doing is wrong. Yes, plenty of people warn him, but Victor seems to truly believe that he is doing something spectacular that will further the scientific field tremendously.

Only after the murder of Igor does Victor seem to truly lose that innocent hope. Although none of Victor's family or friends die besides his old professor , he is still responsible for the loss of the innocent life of a village girl.

He is also still given the blame for the loss of innocence in his creature. This same lost innocence does not apply in the Hammer films. From the beginning, Victor does not seem to have an innocent bone in his body.

He wants to know if he can restore life and he has no qualms about what that process may cost. This Victor even goes so far as to murder a "good friend" so that he may use his brain for the creature.

Victor feels he will advance the science community of course, but not in a helpful, innocent way. He's more focused on the glory of the ordeal. This Victor borders on the sociopathic and has very little innocence to lose.

Though, he is fully and unequivocally to blame for all of the deaths in the film as well as the stripping of innocence from the creature.

But Frankenstein - and even more specifically Victor - is timeless and fluid. The original novel was written almost years ago, and yet adaptations are still being made; and all of them are vastly different.

As the world changes so does Frankenstein because it represents the most terrifying of monsters - the ones in ourselves. Shelley, Mary Wollstonecraft, and Susan J.

New York: Pearson Longman, He loses interest in both these pursuits and in science as a whole after seeing the remains of a tree struck by lightning; however, at the University of Ingolstadt in Bavaria , Frankenstein develops a fondness for chemistry , and becomes obsessed with the idea of creating life in inanimate matter through artificial means, pursuing this goal for two years.

Assembling a humanoid creature through ambiguous means, Frankenstein successfully brings it to life, but he is horrified by the creature's ugliness.

He flees from his creation, who disappears and, after several negative encounters with the locals, swears revenge on his creator.

When William is found murdered, Frankenstein knows instantly that his creation is the killer, but says nothing.

The Frankensteins' housekeeper, Justine, is blamed for the boy's death and executed; Frankenstein is wracked with guilt but does not come forward with the truth because he thinks no one will believe his story, and he is afraid of the reactions such a story would provoke.

The creature approaches Frankenstein and begs him to create a female companion for him. Frankenstein agrees, but ultimately destroys this creation, fearing the idea of a race of monsters.

Enraged, the creature swears revenge; he kills Henry Clerval, Frankenstein's best friend, and promises Frankenstein, "You have denied me my wedding night - I will be with you on yours!

That same night, Frankenstein's father dies of grief. With nothing else left to live for, Frankenstein dedicates his life to destroying the creature.

Frankenstein pursues the "fiend" or " Demon " as he calls his creation to the Arctic , intending to destroy it. Although he is rescued by a ship attempting an expedition to the North Pole , he dies after relating his tale to the ship's captain, Robert Walton.

While many subsequent film adaptations notably the movie Frankenstein and the Hammer Films series starring Peter Cushing have portrayed Frankenstein as the prototypical " mad scientist ", the novel portrayed him as a tragic figure.

Percy Shelley , Mary's husband, served as a significant influence for the character. Victor was a pen name of Percy Shelley's, as in the collection of poetry he wrote with his sister Elizabeth, Original Poetry by Victor and Cazire.

Percy had a sister named Elizabeth; Frankenstein had an adopted sister, named Elizabeth. On 22 February , Mary Shelley delivered a baby two months premature; the child died two weeks later.

Obsession plays a major role in the development of Frankenstein's character. First, as a child, he is obsessed with reading books on alchemy , astrology , and many pseudo-sciences.

Later, as a young man, he becomes enthralled with the study of life sciences - mainly dealing with death and the reanimation of corpses.

Finally, after the monster is created, Frankenstein is consumed with guilt, despair, and regret, leading him to obsess over the nature of his creation.

Besides the original novel, the character also appears or is mentioned in other books from pastiches to parodies. In the Curtis Jobling book, Frankenstein's Cat , it features Frankenstein, sometime before creating his monster, creating a cat called Nine named because he was made out of nine cats.

This book was later adapted into a television series in From Wikipedia, the free encyclopedia. For the film, see Victor Frankenstein film.

This section needs additional citations for verification. Please help improve this article by adding citations to reliable sources.

Unsourced material may be challenged and removed. November Learn how and when to remove this template message. This section may require cleanup to meet Wikipedia's quality standards.

No cleanup reason has been specified. Please help improve this section if you can. January Learn how and when to remove this template message.

This section appears to contain trivial, minor, or unrelated references to popular culture. Please reorganize this content to explain the subject's impact on popular culture, providing citations to reliable, secondary sources , rather than simply listing appearances.

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